“Upstream Color” is as enigmatic as filmmaking gets — not in a casual way, but determinedly, even willfully. Being completely understood at first glance is not on creator Shane Carruth’s agenda, but ...
Filmmaker Shane Carruth’s micro-budget breakthrough “Primer” was a dense, realistic time travel drama of the sort nobody had seen before. Judging by his long-awaited second feature, “Upstream Color,” ...
Given that yesterday’s post occasioned some discussion about spoilers, a brief preamble to my review of Shane Carruth’s Upstream Color (A): If you want to preserve the experience of seeing the film ...
The Museum of Modern Art and the Film Society of Lincoln Center have jointly announced seven official selections for the 2013 New Directors/New Films Festival (ND/NF), which runs March 20–31, 2013.